
Tuesday, 31 March 2009
HONG KONG´S INFORMAL ROOFTOP COMMUNITIES

Friday, 27 March 2009
I asked each dweller if they felt safe now the estate has been left to deteriorate and is so sparsely occupied. The astounding and overriding answer was yes. When they are in their carefully nurtured homes they feel perfectly protected, no one reported a break in or disruption.
The majority of people I met have lived on the estate for over 30 years. They harked back to a time when The Heygate was an ideal place to live, an urban utopia.
Corbusier learned the aesthetics of functionalism (the beauty of a carefully calculated structure sans ornament) and the positivism of the modern age.
http://www.uky.edu/Classes/PS/776/Projects/Lecorbusier/lecorbusier.html
Built on the back of Corbusier’s theories and proposals, Heygate went by the Parker Morris Committee- a report which concluded that the quality of social housing needed to progress to match rising living standards. It gave a number of suggestions, giving each home realistic space for furniture needed with what we would now consider ample space to go about normal living/household activities.
If the estate is rejuvenated and modernised it has the potential to be a great place to live. Although some might wish to forget the striking effect these buildings have on their surrounding landscape, they are a pivotal example of post war architecture. Haunting and striking they may be, but they have come to represent the area, to be the area, for better or worse.
Most residents that remain are unwell/old/alone and feel they simply can’t manage the move and will lose their support network. Those in good health are fully aware that when they move they leave behind their homes, friends, community, security, and step into the new world fuelled more than ever by fear power and possessions.
“One of the features which distinguishes human being from other animals, Barthes maintained, was the fact of their having had a childhood”
Introducing Barthes. Philip Thody, Piero. introducingbooks.
The signs, symbols and imagery that surround us remain in our consciousness and form early opinions of what type of world we live in. However, is there really any need for so much hardware?
AFFLUENZA
ECOLOGISTS MAINLY FOCUS on the damage being done to the planet by advanced industrialisation. I come at the same problem from a different direction: the damage done to our emotional wellbeing by the particular form of advanced industrialisation which many call neo-conservatism or market liberalism, championed by the USA.
My conclusions are the same but via another route: we must declare an end to profligate mass consumerism not only because of the damage to the planet but because of the damage it is doing to people.
Affluenza by Oliver James, Vermilion, 2007.
Perhaps we would encourage an even stronger, more human minded generation of children if they grew up surrounded by fewer symbols of overt restriction, intimidation and violence. Will this generation then go on to be less suspicious, more positive, happy and trusted?
Do these objects and structures actually enhance ones safety or even work as a deterrent for criminals and people wishing to break and enter etc?
My belief is that by and large they work for the user/customer in way that reassures their psyche.
The harm in this is that we continue on in being a scared nation at the mercy of our murky government. The items lay in a slightly grey area where one might believe to be doing something ethically and morally correct, but through an act of buying something new. Affluenza intervenes at every moral stage.
BASF - What are you getting at?
So what happens when you decide to find out a bit more?
If you Google "BASF" the top few links go to their website with a spinning globe with paper buildings and it's all very friendly and warm. Maybe they feel a bit neglected and want people to know that they're there, or maybe they want people to go to their UK website and read about the super efficient eco-house they've just built and how green they're trying to be. The 4th link however, is the Wikipedia entry where just after the introduction you can discover that BASF used to be part of IG Farben who made the Zyclon B used in the gas chambers of Nazi Germany.
Perhaps they were trying to shake off their shady past and recruit some bright new graduates, but their adverts tell you nothing about their green efforts, only how they've touched everything you own with their chemical mitts. It's a very strange move for a company that churns out petro-chemicals, plastics and pesticides like there's no tomorrow - especially when we're all trying to get away from them.
Leave the planet alone

“machinery enables no more of us to live; it only enable more of use to live idle on other’s misery’ and secondly –‘most assuredly, the soot and stench of your engine will make your crop less year”
Utility reassessed ,Judy attefield pg.12 -15
Godfrey,
(Due to some techincal difficulties with my account , i am posting my blog with james account)
Climate change and ecology

The $25 million on the other hand, I have confidence it will help motivate funding for the people already working on the problem, and might get some innovative idea off the drawing board a little faster. Even if atmospheric carbon sequestration isn’t the most efficient solution, it might help, and even if it turns out a complete letdown,the global warming fight only lost $25 million. There will be plenty more money in the coming years, and in the meantime, this prize has gotten global warming a lot more press. Seems like a win-win solution for me, therefore I don’t see how Branson’s offer can hurt.
Every l bit helps, and along with alternative energy, reduce, reuse, recycle, and planting real trees, this type of thing may become a part of the overall solutions package. But it won’t solve the problem. It will only help a little. Solutions to excessive emissions require first and foremost changes in behavior by all of us. The unfortunate desire (which we all share) to rant and rave, to be right at the expense of others, and to keep fighting yesterday’s battles can stop us from achieving our goals.
Godfrey,
( I am posting this blog with james account due to some techincal difficulties with my current account)
Design for the OTHER 90%
WHAT IS THATTTTTTTT?????
Who is this 90% and who is another 10%? Is this a crossed line between US and YOU? Is this an social attack? Ethics... About what ethics we are talking NOW? It is an absolute bull shit. Oh.. And I have to admit, that this screaming title was the only reason I picked this book up. Clever marketing? I guess...

Katrina Furniture Project????? Branding vs Slums, w here loud names are over-shining the real notion of the project and the notion of the ‘real life’. Is this ethical to establish your design brand, using global disasters as tool for advertising? It is humiliating, and un-thought, to get into people’s hearts, when something was taking out of them. And did we ever think that erupting into slums, with our great inventions, we can be misunderstood and our ‘grand designs’ can act as aliens, which never will find its space within the community, and end up in the photographs in the expensive books with thick covers and big labels – WE MADE IT! WE DID IT! RICHARD, ANN, ROB, DAISY, ABBY AND ANGUS. I am sorry. I feel sad for a designer who does that.
I think that as designers we can do ‘a little bit more’ than a piece of furniture that would ‘satisfy’ only one out of a billion.
Now is your time to think.
Orangutans murdered for Supernoodles

More than ever, the actions of individuals are having collective and far-reaching repercussions. There has recently been a series on BBC 1 detailing the struggles of orang-utans in Borneo and the efforts of an organisation to save them. Documentaries such as these have followed a long line of programmes showing the life of the orang-utan within its own world but have sadly become less joyous as they are now intended to highlight, to us, the damage we have done through consumerism. ‘Orang-utan Diary’ now shows the struggle this species has to go through as a result of their homes being rooted up for palm oil plantations that are needed to satisfy western consumers’ demand for lifestyle enhancing products such as soap, Supernoodles and even some breads. As they attempt to survive through our greed, they are often killed for stealing from farmers’ crops, leaving young babies to fend for themselves. This story is all too common and orang-utan babies essentially end up in the centre, which cares and rescues them. Furthermore, orang-utans are naturally solitary beings with large territories over which they hunt for food but are now resigned to living with 600 of their kind who are still waiting to be released back into safer patches of land that will not be affected by milling and farming.

PALM OIL VICTIM "When we saw the big male approaching our camp we were afraid. So we quickly ran over to him and doused him with petrol and set him on fire.” Fermin, Bulldozer driver in clearance camp

ETHICS AND DUTY
’Happiness results from „obedience of duty“ ’ (1)
I am not entirely sure if I agree with this philosophy. Is the happiness I seek and encounter due to obedience? Is obedience referring to that towards social norms, laws, God, my conscience?... Surely one is unable to carry out the commands of all these categories at once . For what satisfies one, dissatisfies the other. But at what point do we stop to pause and follow our will, disobeying the demands of others? To what extent do we experiment.
Liberty is the condition in which an individual has the ability to act according to his or her own will (2) but there is a vague border between human freedom and human security. In 1941 the United States President Franklin D. Roosevelt famously proposed a set of goals, the ’Four Freedoms’, a set of articulated points as fundamental freedoms that humans „everywhere in the world“ ought to enjoy: (3)
1. Freedom of speech and expression
2. Freedom of religion
3. Freedom from want
4. Freedom from fear
Just how often do we see the opposite of these goals in action; either imposed upon a population or practiced by a ’maniac’ individual. It makes you wonder if humans possibly do demand leadership and a certain degree of enclosure by nature. Can society really live without a Big Brother to whom our obedience of duty makes us happy, who lays down the rules and regulations? Or does experiment, rebel, revolution and thought crime (4) excite and bribe our true happiness and social development.
(1) Immanuel Kant: The Metaphysical Elements of Ethics (1780)
(2)http://en.wikipedia.org/wiki/Freedom
(3)http://en.wikipedia.org/wiki/Four_freedoms
(4) George Orwell : Nineteen Eighty-Four
Freaks in nature


If we cannot even participate in one of nature’s most natural process, the arguments suggesting that humans are not part of nature, therefore, define any of our actions within the natural world as artificial.

Whilst we attempt, in many ways, to accomodate various animals who are endangered or kept as pets, we create backdrops for them to remind them of home. There is often an effort to make their enclosures and 'new homes' as close to how they would be in the wild. In addition to this, these artificial replicas are entirely for our own visual benefit on which we impose our own humanoid assuptions on. Despite our best efforts, these surroundings are, essentially, copycat environments which fall short of the natural beauty they should be enjoying without our interference.
This is a little home movie of my tortoise Tedward in the garden. As you can see, he wasn't particularly impressed by the tomato's involvment in his 'natural' habitat.
Infantilized Society

When I saw the video that Emily Hartern posted in the blog (Tuesday 10th March 2009, link http://www.youtube.com/watch?v=6Sb6RmRMbBY)
and even if the speech was written by an adult, a lot of what that girl was saying to a whole UN audience was what I felt when I was that age. Talking about the earth she says to them: If you can’t fix it, so stop breaking it. It sounded strange, a kid telling older people what to do with anger. We should definitely give the word to people that never have the chance to talk. Maybe for some reason they have been silenced. A friend of mine went traveling to the Amazons, I am not going to go into details, but he said he cried when going further and further just finding deforestation, forest depleted, invaded by machines, everywhere. Another friend told me the same, she found her way into a closed community separated by a stream. She liked it there, the locals received her and taught her about the place, she did not see ‘westerners’ for about six months until her father got worried and went to find her. It was a little community, I believe no more than 100 people she said, trying to keep the same traditions they had from before the colonization period. She said that they believe that western culture is an infantilized culture, that we live for our childish desires without respect of the environment.
Then coming back to Emily Hartern’s posted video, I see that maybe this community in the Amazons is right about our way of living, and that kids have to become adults because adults are ‘playing’ like children.
The Unperceived Power

Yes, I got excited with blog entries
I found the blog’s entries very interesting, particularly those who talk about personal experiences.
Let’s cite Hannah (blog entry 12th march 2009), she said: design “for the other 90%”… of course, I do not like the fact that “other” is a key word in this statement.
Again, if we talk about ‘the other’ we separate ourselves, as designers we should feel part of that we are going to design for. Then Hannah continues: The work I am doing in India now is only the result of the close relationships that I formed there (…)
the best thing I can do is just try to listen to what people tell me about their lives and their needs, and start from there.
I thought her entry was genuine, full of hope even if working within a slum is such a difficult terrain.
I remember going with my secondary school friends to a slum in Buenos Aires every weekend to give classes of mathematics and reading to kids without any access to schooling. By then I could imagine the realities of those areas. Being there was a different matter, it completely changed my views to talk with the people, to see how the pavement disappeared behind a portal made with wires in the middle of the city, into somehow another city, not far from my house, where we had to enter with a man that was part of a political party, there was no other way to get in to the place safely they said. We were probably used by that party to say they were doing something for the residents of the slum. However, no political party interested us, we were using them to get inside anyway. Of course the kids needed more than mathematics, reading and writing classes. Most of them were not accepted at school because of their home address, so they felt outsiders. They were so exited to share with us their places, their songs, somehow they could feel more integrated. We learned a lot there, I cannot describe how it changed my world, but I can say the impact of these relationships were very important. When Hannah says in the blog that the work she is doing is the result of close relationships she formed there, it makes me think that that is probably one of the best ways to design for society, to act locally and to learn from others.
Going back to previous years entries on the blog I found this entry (Ryan Mulchrone 12th march 2008): Our economic situation puts us in a position of responsibility for others but we must also learn to lose the superiority complex we have about poorer societies because we have just as much if not more to learn from them as they do from us.
Another entry says (Ruth 3rd march 2008): Perhaps it is time we took some of their practices and reflected them into our culture.
I think this is already happening, and hopefully in the exchange we will find better solutions.
I think the educational system should be one that allows us to move into different towns, countries and continents to help us with the process of understanding. Understanding goes way further when we have the opportunity to experience.
I believe governments have a great responsibility in education, citing Katka (blog entry 12 march 2007): When it comes to slums however, is it not also the politicians who become the designers? The ‘designers’ of peoples’ lives?
Film Manufactured Landscaped


Empower People
I come from a mainly agricultural country (Argentina, in the south of the Americas.) However, I did not realise it until I went to travel because I was raised in a big capital city, Buenos Aires. On my travels, mainly in the countryside and little towns in southern Latin America, I realised how the lives of other people were interconnected with mine, directly or indirectly, how I affected them and vice-versa. I also found how vast naturally developed spaces were affected by machines and human pollution. I came back to the city after about a year of traveling, to study at the local university there. I started with the feeling that I should thank infinitely all those people working in the countryside, transporting goods, working at the factories, constructing, writing and designing books, without forgetting other living species for giving raw materials and food to allow me and a small bunch to study whatever we wanted. It sounds as though a whole system is there to support us in doing what we are doing. I think the least we can do is to show respect. In the type of economy we live in we are all interconnected in a way.
Of course there is a responsibility if we do not want to make our clothes, grow our food, build our houses, kill the animals we eat, etc. and there are other people there doing these things for us. We have the opportunities not just because of our parents, but other people we may or not know. I would prefer to work hard for them, because they deserve it, we owe a retribution to them, them is us, the same with natural resources, without them there is no us, we are not separated, we are part of them.
It is interesting how we may perceive the world, citing Ben Barker (blog entry human/nature, 5th march 2009): In fact we know that we are gods, wielding the power of technology and bestowing pitiful benevolence on other inhabitants of Earth.
The problem then, our intelligence means we draw a line between us and everything else. We struggle to connect ourselves to nature. We are technology, retching forwards, morally confused and born into a world that is not ready for us. Is there a way to actually care about Earth, to connect to nature (beyond ourselves) and truly feel it, or would we just be kidding ourselves?
So if we are gods, then, gods have never been so confused. If we talk about pitiful benevolence and ask ourselves if we care about the earth, or it is really just about us, we could continue finding refuge in excuses and continue with the delusional.
I assent with Jane T (blog entry 21st March 2009): we are now ignorant to the influence that we have over our planets delicate structure and the consequences of our behaviour that will inevitably impact us. Insects are the stitches that hold together the very fabric of our planet.
The economic system has become so big and complicated that it is difficult to comprehend. It is easy to feel like we are little ants and that the best they can do is to follow the crowd. It is paradoxical because in the present time our society does not believe in crowds or groups, but in the individual. You have to be outstanding and unique, but follow the crowd. Advertising and media created the belief that this schizophrenic way is best for survival. In the mid time the rulers, the big companies, collide in their psychosis, seeking more profit, more power, they are also trying to survive. As I see it, big entrepreneurs and powerful companies have developed a psychotic economic system where there is no remorse for all the damage caused in the name of profit, and we, the followers, are replicating it. Nobody seems to care much about anybody else, so we can consume anything at all without guilt. If we feel guilt, we feel powerless anyway to do something. And so many entries in the blog confirm this.
Objects have the power to shape social imaginaries and engage sensations, we have a social responsibility and should feel empowered. How do we balance the cognitive conflict between individual vanity on the part of a designer and institutionalized pressures of the produced material world?
Put another way, designers are a product of the material society we all have constructed. If designs expose perceptions of reality, we are creating a cultural identity as well. If the future is being planned via certain institutions, are designers visualizing a future that has already happened? If this is the case we then have the hope and privileges of uncertainty.
It is important not to dismiss the power of our actions, and to empower people. By designing for people that 'nobody seems to care' (however this is not true), we are caring about them, making them relevant, giving them a voice.

DESIGN AND FUTURE : PLASTIC BAGS / LIVING WITH RUBBISH
Reaching a quantity of over one million bags being consumed per minute an estimated amount of 500 billion to 1 trillion plastic bags are consumed world wide each year. (1) British supermarket checkouts distribute about 10 billion plastic bags each year. It can take up to 2000 years for a plastic bag to break down and in London alone, 1.6 million of these bags end up in landfill sites unable to decompose, polluting our environment . (2)
Plastic bags break down by photodegrading, producing toxic waste contaminating soil and waterways and entering food webs when animals accidentally ingest.
Using the plastic bag as an example ,the desperate need of our population to steer itself towards a more environmental friendly society can be clearly outlined. Consumption, carelessness or rather ignorance is also portrayed. It is therefore inevitable, that our ethics change, that we as designers also shift towards more environmentally aware, sustainable and rational concepts. Arts and designs must be used to re orientate the views and habits of the public, to improve the relationship between science and society.
„ It is fundamentally a cultural problem that requires reorientating human development and the built environment; artists have an important role to play not only in creating new cultural contexts, but also changing the way that science is done“ (3)
„ Planet Organic“ supermarkets give us a taste of the direction towards which we need to filter our responsibilities. In November 2007, in thier refusal to use plastic bags ,they produced a bag made from GM free cornstarch which is entirely compostable and biodegradable, breaking down in only six months (2). Corn crop absorbs carbon dioxide from the atmosphere while it grows and then releases it as it breaks down preventing the excretion adn litter of toxic residues. This carbon neutral solution to the plastic carrier bag is evidence that with will power, science and art the crucial steps forward needed to change our style of living can be aided . Designing new sustainable products is drastic help to our future and above all a possible eye opener for society , addressing the heart of crucial issues.
(1) http://www.reusablebags.com/facts.php?id
(2) http://www.planetorganic.com/media_centre/press_releases/54_-ditch-the-plastic-planet-organic-pioneers-again
(3) Roger Malina. „Lovely Weather: Asking What the Arts Can Do fot the Sciences,“ in Ecomedia (Edith Russ Site ofr Media Art, 2007)
(4) picture: http://www.greencottonblog.com/category/plastic-bags/
How Ethical Are You?

Milton Glaser whom is best known for his I Love NY logo and his Bob Dylan poster created a questionnaire called Shown below is The road to Hell which demonstrates how ethics play upon our personal conscience when designing and creating products.
1 Designing a package to look bigger on the shelf.
2 Designing an ad for a slow, boring film to make it seem like a light hearted comedy.
3 Designing a crest for a new vineyard to suggest that it has been in business for a long time.
4 Designing a jacket for a book whose sexual content you find personally repellent.
5 Designing a medal using steel from the World Trade Center to be sold as a profit-making souvenir of September 11th.
6 Designing an advertising campaign for a company with a history of known discrimination in minority hiring.
7 Designing a package aimed at children for a cereal whose contents you know are low in nutritional value and high in sugar.
8 Designing a line of T-shirts for a manufacturer that employs child labour.
9 Designing a promotion for a diet product that you know doesn't work.
10 Designing an ad for a political candidate whose policies you believe would be harmful to the general public.
11 Designing a brochure for an SUV that flips over frequently in emergency conditions and is known to have killed 150 people.
12 Designing an ad for a product whose frequent use could result in the user's death.
These twelve steps show us how easy it can be to drop from step to step. Ranging from packaging to causing death. Nigel Whiteley says in his book Design for Society “’Design’ as a noun or verb was daily intoned – usually hopefully rather than purposefully – as a solution that was going to deliver us from all economic evils”. This demonstrates how we as designers must think of the values included within the work. As designers we think of the responsibility and how that responsibility can be diffused with the more people involved, creating a safety in numbers system. This system can be found within Stanley Milligrams shock generator experiment as well as raising a number of questions such as what ethical issues does the Milligram test expose? Are the test subjects behaving ethically? Is the experiment ethical?
Paper manufacturing
“Americans receive over 65 billion pieces of unsolicited mail each year, equal to 230 appeals, catalogs and advertisements for every person in the country (AIGA,4).” This article goes on to explain how almost half of this mail is thrown out without being opened, mail that has been produced using mostly virgin fiber paper. But they dispel the myth that the consumption of trees is the worst impact on the environment. This confused me at first because I was under the impression that most of the argument for recycling paper was that we needed the trees for their role in converting carbon dioxide into oxygen and could not afford to cut them down to make into paper. But since trees are a renewable resource, the most harmful part of the process is actually converting the wood to paper. “Paper manufacturing alone is the third largest use of fossil fuels worldwide and the single largest industrial use of water per pound of finished product. Printing inks and toner are the second largest uses of carbon black, which is primarily manufactured by the incomplete combustion of oil (AIGA,5).”
Pinocchio, 'I want to be a real boy!'

Fictional future worlds are illustrating provocative scenarios in which computer technology has become autonomous. Stanley Kubrick’s, 2001: A Space Odyssey, elegantly portrays human evolution from primitive ape to sophisticated space farer. The opening sequence narrates a story of discovery by centring on the moment that an ape recognises a bone as a tool for potential harm, or a weapon. Kubrick subtly infiltrates our mind’s eye with the thought that in the near future technology may supersede humans.
‘The HAL 9000 computer can reproduce…most of the activities of the human brain, and (is) incapable of error... as to whether or not he has real feelings is something I don’t think anyone can truthfully answer.’1
Fantasy computers are capable of feeling emotions, from happiness and love to pain and sorrow. As well, the Hal 9000 houses a crew and provides vital resources for human survival, including oxygen. In this way, the human is wholly dependent on the machine, and the synthetic has a moral responsibility to protect its human equivalent, but can artificial intelligence truly understand principles of ethics? This raises serious questions about the duty of autonomous technologies: is a computer a civil servant or a governing authority? Kubrick poignantly highlights the dilemmas humans face when a computer malfunctions and poses a danger. Outside of fiction and in reality, designers and architects are testing their ideas in virtual space.
‘The green design and functioning of larger, newer building types depend on the computer at all stages of development…studying external wind flows, overshadowing, and the admission of air and sun…and temperature fluctuations.’2
Sustainable architecture demands a level of thinking that our cognitive abilities can only imagine. The incredible number-crunching capacities of modern computers give practitioners the opportunity to visualise their conceptions in brilliant detail. Doing so grants engineers and architects the freedom to test prototypes without physical construction, and this is economically more viable. Yet, I am concerned. Visionaries in the way of Howard, Le Corbusier, and Fuller failed in their elemental duty to house society adequately. Their mistakes lay in their powerlessness to predict the future and to build for the present. Our generation should be learning from past failures, and synthetic inventions can only guide practitioners so far. Kubrick portrays a story of sorrow, for the computer, or artificial human, was terminated by his organic counterpart. I wonder if, in reality, society will follow the same fate?
1. Stanley Kubrick, 2001: A Space Odyssey (Metro-Goldwyn-Mayer, 1968).
2. William S. Saunders, Nature, Landscape, and Building for Sustainability (Minneapolis: University of Minnesota Press, 2008).
Community in the mountains of Mexico

About Ethics & Words
Marxist cultural critic Mike Davis tackles the global problem of slums, mainly exploring the subject through other books and documents, lacking a sense of his own experience and ‘the local’, that could reveal us more of the diversity of the problems in shanty towns.
He paints for us an overall idea of the situation and is good to keep us ‘informed’ and ‘alarmed’ but at the same time these statistics /censuses become superficial without the account of particular situations. This is personal view, I often feel that I do not trust statistics that make gross generalizations, like the ones generated to mass-produce. Instinctively I reject information given in such way.
If we talk about ethics we can start by analyzing the way we design words or phrases and how we use them, for example Mike Davis uses of ‘Third World’ and ‘developed’ or ‘developing’ countries. They made me feel so uncomfortable knowing the connotations that they have developed, having been born and lived in places where I think people (and life) deserve more respect. For the ones that, reading this do not understand what I am talking about, it refers at the use of language to accredit power: by saying ‘developed’ you are stating ‘that is the way to follow’, because those are developed and ‘right’ so other countries are following and ‘developing’. The same with ‘Third World’, that’s more obvious. Now imaging yourself being called ‘from the third world’, how would you feel? Empowered? I don’t think so.
So where has respect gone? The question remains as to why tutors in this country – and probably in many others- give us texts to read without questioning this kind of thing? I was surprised that everybody writing and talking about the subject still used those terms without noticing. Even in mainly agricultural countries they also sometimes use the terms, committing to an unconscious and imposed inferiority.
Ethical Issues Designers Might Encounter

There has always been a debate surrounding women and how they are depicted in advertisements. Nowadays, they are commonly used as a sex symbol or displayed simply as having the perfect face and body. Many people feel that advertising is responsible for problems in our society such as low self-esteem and anorexia. However, not all advertisements display an unreal body image – there are many ads and companies that show what one would consider a “real” woman.
An experiment in 1991 demonstrated that women were “less satisfied with their own physical appearance after they viewed advertisements featuring thin, attractive models” and there is evidence to prove that “exposure to thin media images can negatively affect body-image perception and assessment of one’s own attractiveness” (Smeesters, Dirk and Naomi Mandel. “Positive and Negative Media Image Effects on the self.” Journal of Consumer Research.)
In 2005, Dove beauty products launched a campaign promoting “Real Beauty.” The models in their advertisements included women of various shapes, sizes, and colors. Their reasoning for the campaign launch was quite simple: “For too long, beauty has been defined by narrow, stifling stereotypes. Women have told us it's time to change all that. Dove agrees. We believe real beauty comes in many shapes, sizes and ages… Dove's global Campaign for Real Beauty aims to change the status quo and offer in its place a broader, healthier, more democratic view of beauty” (http://campaignforrealbeauty.com).
I remember when this campaign first came out in the states (I'm not quite sure if they did something similar here in the U.K.) and how refreshing it was. As a graphic designer, I often find it troubling that there is a good chance my future will lie in airbrushing and photoshopping images to perfection. Should I still consider pursuing a career in design and advertising even if I disagree with the messages that are given through these ads? Does it make more sense to follow the path to money and security or can I still design without having to question my morals every day?
(note to Jennifer: I think I posted my first blog entry as a comment, if you have trouble finding it.)
Thoughts on 'Crittercam'


However it seems that our drive for consumption is still not satisfied as a new area is being explored, an amalgamation of what we have already consumed, the Artificial Natural. This describes the various ways in which we impose technology upon the ‘natural world’ in order for us to satisfy our desire to control and own.An example of this new-age consumption is National Geographic’s Crittercam. The project set out by attaching cameras onto sea animals to ‘eliminate human presence and allow us entry into otherwise virtually inaccessible habitats’. An intention that seems slightly commercialised as “the human presence” is ever apparent with the advanced technology of the cameras being our gateway into this unknown world. National Geographic’s Crittercam promises that you can ‘become self by seeing self through the eyes of self…that self becomes others’ self’, this rather long winded analogy put alongside with their ‘Enter the deep sea’ slogan seems fantastical and presents the project as a means to satisfy our own curiosity without the interest of the sea life as a considered factor. Our drive for consumption is highlighted by this project as we, as humans, place ourselves outside, above and beyond nature and therefore feel the need, as much as is possible, to infiltrate into parts of the natural world which we would not usually have access to.
Thursday, 26 March 2009
Slums. Politics. Migration.

Slums are a BIG political and governmental problem. It is a problem that was allowed to slip out of hands and led the acquisition of acceleration to take over. ‘Holes’ in educational and country’s ruling systems, leads nations into creation of new cities. Slums.
Deprivation of strength, a lack of concentration towards the goal, brings people into that endless tunnel. Everything is reachable and everything is available, but only the ones who know what they want, or the ones who really want - can take it. Certainly, it is much easier to ask, be dependent or seek somebody’s help then to go and try or even show your interest.
In 2004 a large number of Eastern-Europeans immigrants arrived on the shores of Great Britain, with a big hope of a better life. This boom of immigration has caused a mix of feelings between local British communities. Polish are taking over British jobs! They work for pennies! On 11th March, 2008, a television documentary with a very provoking name: The Poles are Coming! was broadcasted on BBC channel that perfectly visualized the current situation in the Great Britain.
A group of British ‘slum dwellers’, living on governmental benefits and drinking beer by the Job Centre, were interviewed by the film crew. Young people were moaning about the jobs taken by Poles, but as soon as they were offered work, providing a decent wage, they started moaning about difficulties of the job and that they would rather stay on benefits than bend their backs on the endless farm fields.
In FIRST WORLD countries, such as United Kingdom and United States, the slums are supported by money injections made by government, which are strong enough to support the ‘weak’ ones. There simply is not the infrastructure in Third World countries that can support the slums, so little progress made, and that is why countries are struggling with continuing problems they have.
Should I stay or should I go?



SGSA

Safety Gear for Small Animals is a project started by Toronto-based artist Bill Burns, claiming to "look out for the little guy", intended to relocate and rehabilitate small animals since they are the ones without protection and in need of support in order for them to sustain they're habitat and stay alive. He does this by creating a miniature series of safety equipment gear, ranging from rubberized work gloves to hard hats and emergency blankets. However the project extends further to cover life insurance and annuities, all being innately human appliances and therefore being entirely useless to critters. http://www.safetygearforsmallanimals.com
The project is intended to raise awareness about how much humans are cared for by having safety equipment designed for a specific purpose or systems in place in order to sustain they're loved ones in case of an accident. The point he is making is that small animals have to get by without all this special attention, and therefore have to literally struggle for survival in an increasingly man-made and urbanised world.
In my opinion the project is a mockery of a serious issue, since the extinction of certain critter species would have a far greater impact that to be treated with such a humorous approach to the subject matter. As explained by Paul and Anne Ehrlich (http://home.pacbell.net/mjvande/ehrlich - visited March 26th 2009) the extinction of species would result in a complete shift in nature's balance, causing links in the food chain to break and therefore creating species without a natural counterpart, causing them to exponentially increase in numbers, crushing other links in the chain and eventually bringing the whole system to a collapse.
I would like to think that the general public would have a greater appreciation of this subject matter if it were not presented with a mock-series of objects, simply scaled down from human application and "intended" for use by small animals. The idea to inform about this issue is indeed a positive one, however a more rigorous route should be followed. The approach of using humour to convey important issues is definitely an effective one, however the actual issue should be identified more clearly, not leaving the interpretation of the objects up to the viewer entirely. The obejects are obviously not meant to be used by real animals, they are much rather a reminder of what could be in place for small animals and they're safety, represented by the human equivalent of such equipment.
Essentially the project is trivializing and "humanizing" a very real problem in nature, caused entirely by the human race. In order for people to comprehend the problem, it is made to be seen through human eyes, and therefore failing to really address the issue at hand.
A history of consumption...sort of.


Mankind’s drive for consumption has been developing progressively with time. Nodmadism saw our ancestors (from what we can tell) consuming by food gathering and hunting. They lived in natural shelter which meant that with ‘the absence of personal and community property, the focus of the economy was on daily survival’[2] At the end of this era, Seminomads became dominant and a rise in more permanent settlements was brought about due to the rise in domestication of animals and innovation of agriculture. These settlements then developed to villages and agricultural production began to include; planning, cultivating, fertilising, seeding, irrigating, guarding, harvesting and storing. The final stage is consuming.
From a more communal way of living we developed into more personal beings and therefore required goods that reflected our individuality; different clothes, items to decorate living spaces and means of recreation. A space with a place to sleep, eat and somewhere to bathe was once adequate but now we expect different rooms for each practise, each with different furniture and decoration, each one a conscious decision to represent a certain element of ourselves.
[1] The Uses of Goods, The World of Goods, Douglas and Isherwood
[2] Genesis of the City, Ethics and Urban Design, Golany, Gideon S.